Columbia University
The Italian Academy for Advanced Studies
ITALY AT COLUMBIA
A SERIES OF
BY COLUMBIA UNIVERSITY PROFESSORS
MONDAY, MARCH 28 AT 1:10 PM
MICHAEL COLE
Art in Italy, 1560-1570: Decorum, Order,
and Reform
MONDAY, APRIL 18 AT 2:40 PM
CARMELA VIRCILLO FRANKLIN
History and Politics in the Liber pontificalis
(Book of the Popes)
TUESDAY, APRIL 26 AT 2:10 PM
ELIZABETH LEAKE
Screening the anti-Fascist Resistance
For further information, please contact Allison Jeffrey (aj211@columbia.edu).
Michael Cole writes and teaches on European art of the fifteenth through eighteenth centuries, with a specialization in early modern Italy. His recent books and articles have focused on sculpture and urbanism in Rome and Florence, on Renaissance magic and demonology, and on experimental printmaking. He came to Columbia after teaching for seven years at the University of Pennsylvania; in 2009-2010, he was Robert Sterling Clark Visiting Professor at Williams College. His books include Ambitious Form: Giambologna, Ammanati, and Danti in Florence (2011), The Idol in the Age of Art: Objects, Devotions, and the Early Modern World (with Rebecca Zorach, co-editor, 2009) , The Early Modern Painter-Etcher (editor, 2006), Inventions of the Studio, Renaissance to Romanticism, (with Mary Pardo, co-editor, 2004) , and Cellini and the Principles of Sculpture (2002) . His essays have also appeared in The Art Bulletin, Art History, The Burlington Magazine, and The Oxford Art Journal, among other places. He earned his PhD in Art History from Princeton University in 1999.
Carmela
Vircillo Franklin received her B.A. and Ph.D.
in Classics (Medieval Latin) from Harvard University. She joined the Columbia faculty in
1993. From July 1, 2005 until
September 2010, she served as the 20th Director of the American Academy in
Rome. She has now returned to Columbia for the academic year 2010-2011. Her
research focuses on Medieval Latin texts and their manuscripts, and much of it
is conducted in Europe’s great manuscript repositories, especially the
Vatican Library and the Bibliothèque nationale de France.
Among her recent publications are The
Latin Dossier of Anastasius the Persian: Hagiographic
Translations and Transformations (2004), which follows an interdisciplinary
approach to early medieval culture, transcending traditional linguistic and
geographical boundaries; and Material
Restoration: An 11th Century Fragment from Echternach
in a 19th Century Parisian Codex (2009), a study in “material
philology.” She is now engaged in a book project provisionally entitled The Liber pontificalis
of Pandulphus Romanus: From
Schismatic Document to Renaissance Exemplar, centered on the redaction of
the papal chronicle created during the schism of 1130. Her other books include The Ecclesiae Atinatis
Historia of Marcantonio Palombo (1996) and Early
Monastic Rules: The Rules of the Fathers and the Regula
Orientalis (1982).
Elizabeth
Leake is
a visiting professor to the Italian Department at Columbia and an Associate
Professor of Italian at Rutgers University. Her research interests include
Twentieth Century narrative and theatre, psychoanalytic and ideological studies
in Italian literature, fascist Italy, Italian cinema, and early Danish cinema.
She is a recipient of the Modern Language Association Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian
Literary Studies for her book The Reinvention
of Ignazio Silone (2003) and The National
Endowment for the Humanities Fellowship for College Teachers and Independent
Scholars 2001. Her latest book, After
Words: Suicide and Authorship in Twentieth Century Italy, was published in
February of this year, and she is
co-authoring another entitled Representing
Confino. She earned her PhD from the University
of California at Berkeley in 1998.